POLECAMY
Redakcja:
Format:
ibuk
The Yearbook of Conrad Studies (Poland) is annual series devoted to the life and work of Joseph Conrad-Korzeniowski who, while being one of the great names of English literature, had a cultural background that was very much Polish and indeed ‘continental’.
This third volume (2007) is published in Cracow by the Jagiellonian University in conjunction with the Joseph Conrad Society (Poland)
Rok wydania | 2008 |
---|---|
Liczba stron | 220 |
Kategoria | Literaturoznawstwo |
Wydawca | Wydawnictwo Uniwersytetu Jagiellońskiego |
Numer wydania | 1 |
Język publikacji | polski |
Informacja o sprzedawcy | ePWN sp. z o.o. |
POLECAMY
Ciekawe propozycje
Spis treści
Zdzisław Najder, FOR WHOM DID CONRAD WRITE? | 7 |
Jakob Lothe, FROM NARRATOR TO NARRATEE AND FROM AUTHOR TO READER: CONRAD AND HIS AUDIENCE | 15 |
Anita Starosta, CONRAD’S “AUTHOR’S NOTES”: BETWEEN TEXT AND READER | 31 |
Anne Luyat, ALWAYS A STRANGER: JOSEPH CONRAD AND DETACHMENT | 41 |
Josiane Paccaud-Huguet, ‘THOSE BROKEN PHRASES’: THE CONRADIAN VOICE EFFECT | 53 |
Claude Maisonnat, THE RETURNS OF THE READER IN AN OUTCAST OF THE ISLANDS | 67 |
Allan H. Simmons, CONRAD AMONG THE CRITICS: THE EARLY REVIEWS | 81 |
Cedric Watts, NOSTROMO IN T.P.’S WEEKLY | 97 |
Alexandre Fachard, THE CRITICAL RECEPTION OF WITHIN THE TIDES | 115 |
Marek Pacukiewicz, CONRAD AND MALINOWSKI: THE PREDICAMENT OF CULTURE AND THE ANTHROPOLOGICAL DISCOURSE | 131 |
Grażyna Branny , ‘LOST IN TRANSLATION’: COLLECTIVE MEMORY AND CONRAD AS A READER | 141 |
Anthony Fothergill, READING CONRAD: MELANCHOLY IN THE SHADOW OF THE SWASTIKA | 149 |
Terry Collits, CONRAD IN THE TIME OF GLOBALIZATION: A LATIN AMERICAN NOSTROMO? | 165 |
Agnieszka Adamowicz-Pośpiech, GUSTAW HERLING-GRUDZIŃSKI AS A READER OF CONRAD | 181 |
Michel Maslowski, THE EVIL OF MODERNITY: JOSEPH CONRAD’S HEART OF DARKNESS AND FRANCIS FORD COPPOLA’S APOCALYPSE NOW (transl. by Ewa Kowal) | 195 |
Agnieszka Adamowicz-Pośpiech, A SIGNPOST FOR TRAVELS WITH CONRAD: JOHN G. PETERS, THE CAMBRIDGE INTRODUCTION TO JOSEPH CONRAD (2006) | 213 |
NOTES ON CONTRIBUTORS | 217 |