INNE EBOOKI AUTORA
Koszyk
Art Inquiry. Recherches sur les arts t. XVI (XXV)
Praca zbiorowa
Redakcja:
Grzegorz Sztabiński, Andrzej Bartczak, Ryszard Kluszczyński, Krzysztof Stefański, Paulina Sztabińska
Wydawca:
Format:
ibuk
Margins and Marginalization The concepts spelled out in the title Margins and Marginalization usually carry negative connotations. They are associated with having to live outside the main current of events, or with the peripheral and thus inessential aspects of an artwork. Such an understanding assumes a sharp division into major, central, important elements, and minor or marginal ones. However, the validity of such division has been questioned by some contemporary theoreticians and artists. Its arbitrariness and relativist character had been also pointed out in the past. The aim of the 2014 volume is to investigate the occurrence of the titular concepts in the theory and practice of both old and contemporary art. We wish to examine different conceptualizations of margins and marginalization and we are open to a broad range of approaches to his topic.
| Rok wydania | 2014 |
|---|---|
| Liczba stron | 323 |
| Kategoria | Publikacje darmowe |
| Wydawca | Łódzkie Towarzystwo Naukowe |
| Numer wydania | 1 |
| Język publikacji | angielski |
| Informacja o sprzedawcy | ePWN sp. z o.o. |
POLECAMY
Ciekawe propozycje
Spis treści
| Introduction ...........7 | |
| TERESA PĘKALA – Philosophical and Aesthetic Contexts of the Phenomenon of Marginalization in Late Modernity...................9 | |
| KRZYSZTOF CICHOŃ – Around the margin in eighty worlds and twenty years. Remarks on the paradoxical nature of the notion of a margin ...............23 | |
| PAULINA SZTABIŃSKA – Contemporary artist and the notion of center and periphery ...........................................45 | |
| GRZEGORZ SZTABIŃSKI – The margins of transcendence in contemporary art ....................57 | |
| AGNIESZKA KUCZYŃSKA – Surréalisme en 1947 – occultism and the post-war marginalisation of Surrealism ...........87 | |
| EWA WOJTYNIAK-DĘBIŃSKA – Extrasensory Images: Marginal Phenomenon or Important Trend in the European Art? ................................101 | |
| DOMINIKA ŁARIONOW – Scenography studies – on the margin of art history and theater studies ..........................115 | |
| RYSZARD W. KLUSZCZYŃSKI – Interactive film within the paradigm of institutional cinema .......127 | |
| GRZEGORZ DZIAMSKI – Polish Files in the Lomholt Archive of Mail Art .................137 | |
| EWA KUBIAK – Cultural metissage – the descriptive concept of hybrid phenomena on the peripheries of cultures ......147 | |
| ANETA PAWŁOWSKA – The Ambivalence of African-American Culture. | |
| The New Negro Art in the interwar period .....167 | |
| ROMAN KUBICKI – The discreet charm of margins. A considered attempt | |
| to make a timid introduction to the rather non-existent aesthetics of Blaise | |
| Pascal ........195 | |
| KAZIMIERZ PIOTROWSKI – The Taming of Irreligion. Essay on the | |
| Abuse of the Non-Sacred Idea ............215 | |
| PIOTROWSKA-TRYZNO MAJA – The Living Death: ‘Trick or treat!’ The Vivid Presence of Death Symbolism in Contemporary Art and a Philosophical | |
| Interpretation of its Existential Role .........243 | |
| ELEONORA JEDLIŃSKA – Art on the brink, ergo the margin of life: Marek Chlanda’s The Tango of Death ..........257 | |
| MAGDALENA SAMBORSKA – The Art of Women – form the Margin to the Mainstream ..............275 | |
| AGNIESZKA ŁUGOWSKA – The Art and Craft Divide – on the Exigency of Margins .......285 | |
| JULIA SOWIŃSKA-HEIM – Margins and marginalizations in a postsocialist | |
| urban area. The case of Łódź ..................297 | |
| Artist’s essay: Anders Liden – Art and Revelation ...........................................313 | |
| Notes on the Contributors ....................319 | |