POLECAMY
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Genius and Melancholia
Fryderyk Chopin and Pedagogies of Romanticism in the Perspective of Performance Studies
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Geniusz i melancholia. Fryderyk Chopin i pedagogika romantyzmu w aspekcie nauk performatywnych
Książka jest interdyscyplinarnym studium funkcjonowania wybitnej jednostki w społeczeństwie. Przedmiot rozważań badaczki to z jednej strony sposób konstruowania – czy też performowania – statusu artysty-geniusza, Fryderyka Chopina, z drugiej – teatr jego życia codziennego interpretowany jako praktyka dramatyczna i jej kulisy. Na przykładzie biografii polskiego kompozytora autorka analizuje performans romantyzmu, indywidualizmu, a także performans Chopina jako idei odradzającej się i wieczne trwałej. W obszarze jej zainteresowania znalazły się ponadto koncepty geniuszu, gruźlicy jako metafory epoki, melancholii, wirtuozerii i dandyzmu, a także koncept „wielości romantyzmów” w pierwszej połowie XIX wieku. Badaczka skupia się również na społecznym odbiorze tych pojęć i ich funkcjonowaniu w XIX-wiecznym europejskim kontekście artystycznym.
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The book is an interdisciplinary study of the way an outstanding individual functions in society. The author explores how the artistic genius of Fryderyk Chopin is structured or performed and how the theatre of his everyday life is interpreted as dramatic practice and its backstage. Using the biography of the Polish composer, the author analyses performance in Romanticism, individualism and Chopin’s performance as a reborn and resurgent idea. Theauthor also explores the notion of genius, tuberculosis as a metaphor of the period, melancholy, virtuosity, dandyism and the “multitude of Romanticisms” in the first half of the 19 th century. She focuses on the social perception of these concepts and their functioning in the 19th century European artistic context.
| Rok wydania | 2023 |
|---|---|
| Liczba stron | 282 |
| Kategoria | Historia kultury |
| Wydawca | Uniwersytet Warszawski |
| ISBN-13 | 978-83-235-5933-7 |
| Numer wydania | 1 |
| Język publikacji | angielski |
| Informacja o sprzedawcy | ePWN sp. z o.o. |
Ciekawe propozycje
Spis treści
| Acknowledgments | 9 |
| Introduction | 11 |
| Abbreviations | 17 |
| PART I | |
| Performance of Romanticism | |
| Chopin as a Suffering Melancholic Genius | |
| Chapter 1. Performance of the Body 21 | |
| Romantic Genius and the Divine Malady | 22 |
| Tuberculosis: Its Romantic Metaphors in Popular | |
| Culture versus Medical Etiology | 25 |
| Fryderyk Chopin – the Suffering Genius – Case Study | |
| under a Performative Lens | 31 |
| Banishing TB – Internal and External Asylums – | |
| Mallorca and Nohant | 39 |
| The Many-Faced Disease – Chopin Aut Deus, Aut Daemon | |
| 50 | |
| Blood and the Uncanny – Chopin, Vampirism, and | |
| Romantic Gothicism | 54 |
| Water and the Melancholic Victory of Sorrow | 59 |
| Le dernier regard aux traits du Grand Maître (KFC II | |
| 463): The Exemplary Agony of the Ultimate Romantic | |
| Genius | 63 |
| Chapter 2. Performance of Spirit 73 | |
| Genius, Melancholia, and Inspiration | 73 |
| Furor Romanticus – Furor Melancholicus | 75 |
| Chopin’s Algorithm of Existential Sorrow – Moja Biéda | |
| 80 | |
| From Melancholia Generosa to Modern Genius | 87 |
| Nullum magnum ingenium sine mixtura dementiae – Some | |
| Aspects of the Romantic Genius, le Génie Mélancolique | |
| 91 | |
| Voir clair dans le ravissement – Chopin the Romantic | |
| (Non-)Prophet | 96 |
| Romantic Genius and Psychoanalysis – the Concept of | |
| Inward Performative Personality and Shame | 100 |
| PART II | |
| Performance of Individualism | |
| Chopin as a Unique Romantic Virtuoso and Dandy | |
| Chapter 3. The Virtuoso Performer 111 | |
| Towards the Blue Note – Paris of “Pianists, Asses and | |
| Virtuosos” | 111 |
| Performance on the Verge – Between the Enlightenment | |
| and Romanticism: Building the Grounds for | |
| Correspondance des Arts | 119 |
| Shifting Codes of Representation – the Virtuoso of | |
| Caricature and Improvisation | 126 |
| The Epiphany of the Virtuoso: Pinpointing the Mystery | |
| 132 | |
| Microcosme et Microthée: The Piano as the Divine | |
| Telegraph and the Instrument of the Nineteenth | |
| Century | 138 |
| Bel Canto, or the Tubercular Song | 145 |
| Tempo Rubato: Towards Celebrityism à Rebours | 150 |
| Chapter 4. The Dandy Performer 153 | |
| Le Beau Monde – Chopin’s Presence in the Romantic | |
| Salons | 157 |
| “Playing House” | 168 |
| Lucrezia Floriani’s Doll Effect | 177 |
| Gender Ambivalence in the Representation of the | |
| Genius Dandy | 182 |
| Chopin Flâneur? Espaces Imaginaires | 189 |
| PART III | |
| Chopin as an Idea – An Ongoing Performance: The Afterlife | |
| Chapter 5. Multiple Romanticisms 199 | |
| Genius Patriae: On Chopin’s Polishness and | |
| Cosmopolitanism | 200 |
| Romantic Volksgeist – Chopin and the Mythical Slavic | |
| Soul | 213 |
| Transcendental Chopin – Conversations with God | 221 |
| Chopin’s Epistemology – Tere bzdere kuku – Music as | |
| Existence | 228 |
| Mason without an Apron – Chopin and Freemasonry | 232 |
| Chopin the Philistine? In the arms of Biedermeier, | |
| “Domesticized Romanticism” | 236 |
| Epilogue. In the Shadow of the Romantic Paradigm 241 | |
| Chopin’s Afterlife – towards the Chopin Olympics – | |
| Apollo and Marsyas | 241 |
| Conclusion 245 | |
| The Ultimate Artist – Chopin against Philistinism and | |
| Performativity | 245 |
| Bibliography | 249 |
| Index of Persons | 271 |
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