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Eyes to Wonder, Tongue to Praise
Volume in Honour of Professor Marta Gibińska
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This book is a collection of articles written for Professor Marta Gibińska by her colleagues and friends, from universities both in Poland and abroad. The texts presented in this volume cover a wide spectrum of topics. Part I, devoted to Shakespeare, comprises wide-ranging work from renowned specialists in the field: studies on historical background, sources, theatrical, screen and literary reception, as well as translation. Part II contains articles which deal with multiple authors, genres and perspectives, but are uniformly passionate and insightful.
The title Eyes to Wonder, Tongue to Praise, a poetic phrase borrowed from Shakespeare, conveys what seems to be a defining quality of both the contributors to this volume and its recipient: namely, the ability to translate keen appreciation of literature not into speechless awe but eloquent praise, combined with the generosity to share it with others.
| Rok wydania | 2013 |
|---|---|
| Liczba stron | 304 |
| Kategoria | Język angielski |
| Wydawca | Wydawnictwo Uniwersytetu Jagiellońskiego |
| ISBN-13 | 978-83-233-3441-5 |
| Numer wydania | 1 |
| Język publikacji | polski |
| Informacja o sprzedawcy | ePWN sp. z o.o. |
Ciekawe propozycje
Spis treści
| Preface | 9 |
| List of Publications by Professor Marta Gibińska | 15 |
| PART I | 23 |
| Teresa Bałuk-Ulewiczowa, The Mirror of Princes and the Distorting Mirror in Shakespeare’s Chronicle Plays. | 25 |
| Terence McCarthy, Shakespeare, Malory and The Sousing of Sir Dagonet | 43 |
| Hans-Jürgen Diller, Wrath and Anger in the Time of Shakespeare | 57 |
| Michael Hattaway, The “Closet” Scene in Hamlet: Freud, Localisation, Screen Versions, and Essentialist Characterisation | 71 |
| Boika Sokolova, Shooting “the King-Becoming Graces”: Malcolm in Rupert Goold’s Macbeth, DVD (2010) | 87 |
| Andrzej Żurowski, Multicultural Shakespeare on the Contemporary Stage | 97 |
| Jerzy Limon, The Multifarious Times of One Body | 107 |
| Jacek Fabiszak, “Ugly” Tempests: The Aesthetics of Turpism in Derek Jarman’s Film and Krzysztof Warlikowski’s Stage Production | 115 |
| Barbara Sosień, Rosalind’s Robe: Who Is Who, or Shakespeare à la française | 129 |
| Anna Cetera, “Music to hear . . .”: On Translating Sonnet VIII by William Shakespeare | 141 |
| PART II | 149 |
| Małgorzata Grzegorzewska, “My Last Duchess” or “The Radiance of the Painting”: Jean-Luc Marion Reads the Poetry of Robert Browning | 151 |
| Teresa Bela, “‘Any good?’ ‘Will this do?’”: Reflections on the Poetry of C.S. Lewis | 163 |
| Elżbieta Tabakowska, Idealized Cognitive Models, Typicality Effects, Translation | 177 |
| Clarinda Calma, “Death Thou Shalt Die”: Resurrection in John Donne’s Prose and Poetry | 191 |
| Michał Choiński, From Pulpit to Stage – the Rhetorical Theatricality of George Whitefield’s Preaching | 205 |
| Olga Kubińska, “What a gallant mourning ribbon is this, which I wear.” The Function of the Title Pages in the Shaping of the Character in Early Modern English Execution Narratives | 219 |
| Regina Bochenek-Franczakowa, A Revolutionary Inspiration: Laurence Sterne’s Tristram Shandy and Ann’quin Bredouille by Jean-Claude Gorjy | 233 |
| Bożena Kucała, The Indian Mutiny and English Fiction | 245 |
| Barbara Rumbinas, The Pioneers: Reflections of America’s Anxiety about Frontier Expansion | 255 |
| Anna Gawlikowska, Imprisonment and False Liberation in E.L. Doctorow’s Ragtime | 265 |
| Monika Coghen, Coleridge’s Zapolya: Between Dramatic Romance and Gothic Melodrama | 277 |
| Michał Palmowski, Stage Directions in the Avant-garde Drama of Kenneth Koch and Konstanty Ildefons Gałczyński | 291 |
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