POLECAMY
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Publikacja pod red. Andrzeja Mellina, na którą składają się dwa eseje poświęcone scenariopisarstwu:
- Mitko Panov, "Visual Storytelling"
- Jan Wagner, "Natural Storytelling"
Książka w języku angielskim.
Rok wydania | 2014 |
---|---|
Liczba stron | 136 |
Kategoria | Filmoznawstwo |
Wydawca | Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna im. L. Schillera w Łodzi |
ISBN-13 | 978-83-87870-79-9 |
Numer wydania | 1 |
Język publikacji | angielski |
Informacja o sprzedawcy | ePWN sp. z o.o. |
POLECAMY
Ciekawe propozycje
Spis treści
INTRODUCTION | 5 |
Visual Storytelling | 7 |
FILM GRAMMAR: RULES AND REGULATIONS | 10 |
The Shot | 10 |
Requirements | 11 |
The Cut | 24 |
FILM RHETORIC – DEVIATIONS FROM THE RULES | 28 |
Figures of speech – Figures of film language | 31 |
Figures of addition and omission | 32 |
Figures of arrangement | 41 |
Figures of Repetition | 44 |
Figures of replacement or similes | 49 |
Bibliography | 61 |
INTRODUCTION | 5 |
Natural Storytelling | 7 |
1. INTRODUCTION | 8 |
2. STORYTELLING – THE BASICS | 10 |
3. WHAT ARE THE GENERAL FEATURES OF A STORY? | 19 |
4. CHARACTER – PROTAGONIST – HERO | 21 |
4.1. What should the main character be like? | 23 |
5. INTERNAL STRUCTURE OF THE PROTAGONIST–> STRUCTURE OF THE STORY | 26 |
5.1. Character molecule | 29 |
6. ANTAGONISTIC FORCES – CONFLICT | 30 |
6.1. Story Molecule | 31 |
7. ELEMENTS OF THE STORY STRUCTURE | 35 |
7.1. Opening | 35 |
7.2. Igniting Incident | 38 |
7.3. Crisis of the first act | 40 |
7.4. Point of no return | 43 |
7.5. Consequences of the first act crisis | 46 |
7.6. Trying to deal with the new question | 47 |
7.7. Reminder of outer plot | 48 |
7.8. Development towards next threshold | 48 |
7.9. Midpoint | 49 |
7.10. Beginning of double bind | 50 |
7.11. Hook sinks in | 52 |
7.12. Intensified pressure | 52 |
7.13. Catastrophe | 53 |
7.14. Moment of silence | 54 |
7.15. Climax | 54 |
7.16. Resolution | 56 |
8. STORY MODEL | 59 |
9 . THEME | 60 |
10. HOW TO TELL A STORY? HOW TO WRITE? | 63 |