INNE EBOOKI AUTORA
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Autorka w sposób barwny i sugestywny opowiada o sztuce wizualnej utrzymując jednocześnie rygory opracowania naukowego. Przedstawia ponadczasowość sztuki identyfikując ją według najnowszych metod analityki instrumentalnej, badań historycznych, przedstawia analizę zmiany postaci dzieł w procesie konserwacji.
Rok wydania | 2020 |
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Liczba stron | 176 |
Kategoria | Teoria sztuki |
Wydawca | Wydawnictwo Naukowe PWN |
ISBN-13 | 978-83-01-21599-6 |
Numer wydania | 1 |
Język publikacji | angielski |
Informacja o sprzedawcy | ePWN sp. z o.o. |
INNE EBOOKI AUTORA
POLECAMY
Ciekawe propozycje
Spis treści
Introduction | 9 |
Chapter one: Visual arts and heritage 13 | |
1. Contemporary discourses on visual arts and heritage | |
2. Understanding heritage | 24 |
3. Philosophy in search of ‘the truth of art’ | 31 |
Chapter two: Art: an idea that shaped our world 44 | |
1. On valuing the heritage of visual arts | 47 |
2. Understanding the value of heritage according to various criteria | |
3. Proposal of a comprehensive assessment of values | 53 |
4. Institutional criteria and framework for valuation/evaluation | |
5. Assessment of values and conservation as a process | |
6. ‘Brainstorming’ the heritage of culture | 61 |
Chapter three: Meanders in the preservation of visual arts | 65 |
1. Professional awareness of artists and conservators | 67 |
2. Significance of personality in the development of conservator knowledge | |
3. What we preserve | 73 |
4. Diverse understanding of authenticity | 74 |
5. Memento | 76 |
6. The theory of object/heritage preservation in the 20th and the 21st century | |
7. The return of fundamental questions about art | 81 |
8. On ethics, responsibility and communication | 87 |
Chapter four: Contemporary changes in the ethics and preservation of visual arts 90 | |
1. New instruments and methodologies | 91 |
2. Moral casuistry and bespoke codes of ethics | 93 |
3. Proposals for bespoke codes of ethics in institutions | 94 |
4. Pros and cons of communication with artists | 95 |
5. Impasse of visual arts? Preventing their impermanence? | 97 |
6. ‘Everything’ may be the matter of art | 102 |
7. Discoveries in the interpretation of visual arts | 104 |
8. Consequences of changes in visual arts | 105 |
9. Differences in the approach to old art associated with traditional disciplines and to new phenomena in contemporary art | 109 |
10. Communication in visual arts research | 115 |
11. Communication in education | 123 |
Chapter five: New elements in the theory and practice of preservation | 125 |
1. Re-orientation of the aims of preservation | 126 |
2. The comprehensive preservation of the works of Alina Szapocznikow | 129 |
3. Difficulties in preserving the conceptual legacy of a ‘total artist’: the case of Tadeusz Kantor | 136 |
4. Artist, curator and conservator cooperation. Handling ephemeral artistic mega-productions | 142 |
5. Actor-network theory in the preservation of heritage | 150 |
Chapter six: Summary expanding the theory of the preservation of visual arts | 152 |
1. Deontology of the preservation of visual arts | 153 |
2. New conceptual framework for the preservation of visual arts | 155 |
3. Holism as a comprehensive approach to the preservation of heritage | 160 |
Conclusion | 162 |
Acknowledgments | 165 |
Name index | 167 |
Bibliography | 171 |