POLECAMY
Koszyk
Shakespeare: His Infinite Variety. Celebrating the 400th Anniversary of His Death
Second Edition
Wydawca:
Format:
pdf, ibuk
The great asset of Shakespeare: His Infinite Variety is its wide historical and geographical range - that is, from the time of the Bard himself to the latest metamorphoses of meanings new electronic media made available. Every reader, depending on his/her age and prior experience with Shakespeare, is at a different moment of this great historical-theoretical continuum of world culture. Everyone can also begin one’s own intellectual journey through cultural history - any time, any place. [...] Despite the once popular but now outdated post-truths, history has not ended. This volume testifies to the benefits of combining historical perspective in its fairly elementary version, which is a linear sequence of events, with an in-depth analysis of the transformations in understanding, exhibiting, and using (appropriating) Shakespeare’s works in our rapidly changing reality.
Prof. Marta Wiszniowska-Majchrzyk
| Rok wydania | 2018 |
|---|---|
| Liczba stron | 206 |
| Kategoria | Teatrologia |
| Wydawca | Wydawnictwo Uniwersytetu Łódzkiego |
| ISBN-13 | 978-83-8142-428-8 |
| Numer wydania | 2 |
| Język publikacji | angielski |
| Informacja o sprzedawcy | ePWN sp. z o.o. |
Ciekawe propozycje
Spis treści
| Krystyna Kujawińska Courtney – Living Daily with Shakespeare Worldwide | 9 |
| REVISITING TEXTS AND CONTEXTS | 13 |
| Mario Domenichelli – Shakespeare’s Ideological Conflicts and Rhetorical Battles | 15 |
| Xenia Georgopoulou – The Price of Difference: Shakespeare’s Varieties of Bullying | 45 |
| PRACTICES AND APPROPRIATIONS | 69 |
| Krystyna Kujawinska Courtney – Wojciech Bogusławski’s Hamlet (1798): Positioning Shakespeare in Polish Culture | 71 |
| Mark Sokolyansky – Another Look upon Alexander Pushkin’s Role in Appropriation of Shakespeare by Russian Culture | 79 |
| Aleksandra Budrewicz – The One Gentleman from Poland. Polonius and 19th Century Polish Translation | 87 |
| Sarbani Chaudhury – Bombarding the Headquarters: Academic Tradaptations of Shakespeare in Twenty-First Century Bengal | 101 |
| Anna Pietrzykowska-Motyka – Meeting the Binaries: Angela Carter’s Wise Children as a Shakespearean Appropriation | 119 |
| NATIONAL AND CULTURAL DIVERSITY IN THEATRE | 131 |
| Emi Hamana – Hamlet (2015), Directed by Yukio Ninagawa: Possessed by the Power of Theatre | 133 |
| Jana Wild – “The Art of Performance” Staging Hamlet in the Rusyn Language | 145 |
| Monika Sosnowska – Azorro Presents: Poland at the Crossroads or Whose Words Are Hamlet’s “words, words, words” | 151 |
| THE BARD ON THE NET | 169 |
| Grace Ioppolo – Shakespeare and Digital and Social Media | 171 |
| WORKS CITED | 183 |
| LIST OF ILLUSTRATIONS | 195 |
| INDEX OF NAMES AND CHARACTERS | 197 |
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Shakespeare: His Infinite Variety. Celebrating the 400th Anniversary of His Death
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