POLECAMY
Redakcja:
Wydawca:
Format:
ibuk
The goal of this book was to introduce reflection on historical phenomena that require perspectives transgressing national paradigm in studying film history (it is co-productions, cinemas of communist block and films produced under a significant “cold war” pressure and – last but not least – issues related to transnational distribution and reception).
Rok wydania | 2015 |
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Liczba stron | 132 |
Kategoria | Publikacje darmowe |
Wydawca | Wydawnictwo Uniwersytetu Łódzkiego |
ISBN-13 | 978-83-8088-266-9 |
Numer wydania | 1 |
Język publikacji | angielski |
Informacja o sprzedawcy | ePWN sp. z o.o. |
POLECAMY
Ciekawe propozycje
Spis treści
Introduction | 7 |
Andrzej Dębski, Film screenings in the “Polish territories” in 1896 and their international context | 9 |
Urszula Biel, The Place of Polish Films on German market between 1920s and 1930s, with special emphasis on Borderlands | 23 |
Tomasz Kłys, The Third Reich’s Pean of Praise for the November Uprising’s Glory: Karl Hartl’s Ritt in Die Freiheit (1936) | 37 |
Magdalena Saryusz-Wolska, Cinema programs as a source for research on historical film audiences. Berlin 1945–1949 | 51 |
Tomasz Rachwald, War film as a political problem in Polish press 1945–1949 | 69 |
Piotr Zwierzchowski, The reception of Hungarian cinema in Polish film criticism 1945–1989 | 79 |
Ewa Ciszewska, Socialist film co-productions. The case of the Polish-Czechoslovak film co-production What Will My Wife Say to This? (1958) by Jaroslav Mach | 91 |
Mikołaj Góralik, Sci-fEAST: Science fiction genre in Polish and Czechoslovakian cinema | 107 |
Magdalena Wąsowicz, István, a király: Rock-Opera As an Expression of Hungarian National Identity | 119 |
Index | 127 |